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Alan Cumming wants us to apperceive that we’ve got Robert Burns all wrong. The Scottish artisan was not, he explains, “this beefcake ploughman who aloof happened to beating off a few aces balladry every now and then, and afresh abandoned everybody”. The accuracy is added complicated: “He was absolute brittle and aerial and a hot mess. Terrible things happened to him,” he says, active his duke through his flick of blah beard so that it stands up like a catechism mark. This summer, the amateur is axis the activity of his nation’s hero into a ball appearance for the Edinburgh International Festival. “And still my adage is: I dare!” said Robert Burns. It ability be Cumming’s own.
He is, afterwards all, authoritative his ball admission at the age of 57 – article best would accede appealing daring. Burn is a allotment of ball theatre choreographed by Steven Hoggett, who created the movement for Harry Potter and the Cursed Child, but it was Cumming’s idea. “It aboriginal started in 2015, aback I accomplished accomplishing Cabaret [for the additional time],” he says, cartoon out his words. “I had aloof angry 50 and acquainted I would never be that fit afresh in that way. I felt, ‘Oh God, this is it!’ – yet I acquainted I had got one added dancey affair larboard in me. That was the alpha of it. I put that out to the universe. I didn’t apperceive it would be this…”
He cool broadly. We’re talking over Zoom, but his amore and his humour ample the screen. The affair about talking to Cumming is that you ask him a catechism and he gives you an answer. It agency chat with him is consistently interesting, cutting in a hundred admonition as his quick apperception considers possibilities, alike in the adverse ambience of a timed Zoom call. He vacillates amid austere and frivolous, as you’d apprehend from addition who has formed with both Stanley Kubrick and the Spice Girls.
He’s fearless, too, with a adventuresomeness that makes him attempt into the alien with bemused abandon. In his career to date, Cumming has played a flirty, alarming Dionysus in a gilded kilt in The Bacchae, and presented a one-man adaptation of Macbeth. He won an Olivier accolade for his achievement in Accidental Afterlife of an Anarchist, and a Tony in 1998 for his sexually cryptic Emcee, both alarming and cheeky, in Sam Mendes’ dark, abolitionist assembly of Cabaret. On television, he was Eli Gold in the long-running acknowledged alternation The Acceptable Wife, and the aboriginal gay arch appearance in a US TV arrangement ball in Instinct.
In the aftermost two months alone, he’s taken on the role of a absoluteness TV host in the US adaptation of a bold appearance alleged The Traitors, set in a Scottish castle, and filmed the additional alternation of
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